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On Openness & Copyright, EU AI Act Final Version Appears to Include Promising Changes

lundi 11 décembre 2023 à 21:00

Throughout the last year, Creative Commons has actively engaged in the EU’s development of an AI Act. We welcomed its overall approach, focused on ensuring high-risk systems that use AI are trustworthy and safe. At the same time, we had concerns about the way it might impede better sharing and collaboration on the development of AI systems, and we joined with a coalition of AI developers and advocates offering suggestions for how to improve it. Rather than advocating for blanket exemptions, we supported a graduated, tailored approach – differentiating merely creating, sharing, and doing limited testing of new tools, versus offering a commercial service or otherwise putting powerful AI models into service, particularly at broad scale and impact.

We also raised concerns about late additions to the text related to copyright. While we generally support more transparency around the training data for regulated AI systems, the Parliament’s text included an unclear and impractical obligation to provide information specifically about use of copyrighted works.

This week, the EU’s political institutions announced that they have reached a tentative final agreement. We’re still awaiting a final text, and there are many other issues at stake related to the specific regulations on high-risk systems; a number of civil society organizations have raised concerns with, for example, changes to rules around predictive policing and biometric recognition, among other things.

At the same time, from the initial reported details (including this draft compromise text published by POLITICO), the final agreement appears promising relative to the recent Parliament text and from the perspective of supporting open source, open science, as well as on copyright. The devil is in the details, and we will update our views based on further review of the final text.

Open Source & Open Science

Consistent with our advocacy, the final version appears to clarify that merely providing and collaborating on AI systems under an open license is not covered by the Act, unless they are an AI system regulated by the Act (e.g., a defined “high-risk” system) that is commercially available or put into service.

As the AI Act progressed, focus shifted from particular high-risk systems to general purpose AI models (GPAI), sometimes referred to in terms of “foundation models.” This is a tricky issue, because it could have unintended consequences for a wide variety of beneficial uses of AI. In light of the Parliament’s proposed inclusion of these models, we had advocated for a tiered approach, requiring transparency and documentation of all models while reserving stricter requirements for commercial deployments and those put into service at some level of broad scale and impact.

On the one hand,  the final Act also takes a tiered approach, reserving the strict requirements for models of “high impact” and “systemic risk.” On the other hand, the initial tiering is based on an arbitrary technical threshold, which at best only has a limited relationship to measuring actual real-world impact. Fortunately, it appears this tiering can be updated by regulators in the to-be-created AI Office in the future based on other quantitative and qualitative measures, and we hope that the final rules also appropriately distinguish between development of the pre-trained model, and follow-on, third party developers “fine-tuning” a model.

Interestingly, the draft text will exempt models that do not have “systemic risk” and are “made accessible to the public under a free and open-source license whose parameters, including the weights, the information on the model architecture, and the information on model usage,” with the exception of certain transparency requirements around training data and respect for copyright (see below). This provides further breathing room for open source developers, although it is worth noting that the definition of what constitutes an “open source license” in this context is still a matter of some debate. We hope those continuing discussions will help ensure these protections in the law are applied to those models that, by virtue of their openness, do provide critical transparency that facilitates robust accountability and trustworthy systems.

The exact rules will continue to evolve as the AI Act is implemented in the coming years, and other countries are also considering the role of openness. For instance, the U.S. Department of Commerce is soliciting input on “dual-use foundation models with widely available weights,” pursuant to the White House’s recent Executive Order.

As AI development and regulation continue to evolve next year, we will continue to work with a broad coalition to ensure better support for open source and open science. This fall, we were proud to join with a wide range of organizations and individuals in an additional joint statement emphasizing the importance of openness and transparency in AI – not only because it helps make the technology more accessible, but also because it can support trust, safety and security. We look forward to continuing to work with all stakeholders to make this a reality.

Copyright & Transparency

The final Act appears to take a more flexible approach to transparency around use of training data. Rather than expecting GPAI providers to list every specific work used for training and determine whether it is under copyright, it instead indicates that a summary of the collections and sources of data is enough (for example,  it might be sufficient to state that one uses data from the web contained in Common Crawl’s dataset). The AI Office will create a template for meeting these transparency requirements. We welcome the new wording, which clarifies that the transparency requirement applies to any training data — not only to copyright-protected works. We will continue to engage on this topic to ensure it takes a flexible, proportionate approach, free of overreaching copyright restrictions.

The Act also requires that foundation model providers have policies in place to adhere to the copyright framework. It’s unclear exactly what this means besides restating that they must comply with existing law, including the opt-out stipulated in Article 4(3) of the DSM Directive. If that’s the intent, then it is an appropriate approach. As we said previously:

“We also believe that the existing copyright flexibilities for the use of copyrighted materials as training data must be upheld. The 2019 Directive on Copyright in the Digital Single Market and specifically its provisions on text-and-data mining exceptions for scientific research purposes and for general purposes provide a suitable framework for AI training. They offer legal certainty and strike the right balance between the rights of rightsholders and the freedoms necessary to stimulate scientific research and further creativity and innovation.”

The draft does create some uncertainty here, however. It states that models must comply with these provisions if put into service in the EU market, even if the training takes place elsewhere. On the one hand, the EU wants to avoid situations of “regulatory arbitrage,” where models are trained in a more permissive jurisdiction and then brought into the EU, without complying with EU rules. On the other hand, this threatens to create a situation where most restrictive rules set a global standard; to the extent that simply putting a model into service on a globally accessible website could put a provider in legal jeopardy, it could create uncertainty for developers.

The post On Openness & Copyright, EU AI Act Final Version Appears to Include Promising Changes appeared first on Creative Commons.

Highlights from GLAM Wiki by the CC Open Culture Team

mardi 5 décembre 2023 à 20:47

From 16 to 18 November, members of the Creative Commons (CC) Open Culture and Learning and Training teams attended GLAM Wiki in Montevideo Uruguay. In this blog post we look back at the event’s highlights from CC’s perspective.

GLAM Wiki is an extraordinary international gathering that brings together cultural heritage professionals (from Galleries, Libraries, Archives, Museums, etc.) with the vibrant Wikimedia communities. More than 150 participants from all over the word came together with the goals to:

The program was rich and diverse and included four sessions organized by CC, summarized as follows.

Creative Commons sessions’ highlights

1. Remixing Open Culture: Get Creative with Creative Commons

In this session, we provided a short presentation about remixing open culture. ALL culture is a remix, and everything we create draws inspiration from the art we have seen and been inspired by. We asked participants to think about why open culture is important to them as an individual. Using public domain images, attendees created “propaganda” for open culture, openly licensing their new creations, as in the example below. The CC licensed works have been uploaded to Wikimedia Commons under the category: Open Culture Remix Posters. Create your own poster to promote open culture and upload it to Wiki Commons with the category “Open Culture Remix Posters”.

This vibrant orange and pink image has
“Cultura es Remezcla” created using Tiger in the Jungle by Paul Elie Ranson, CC0. Licensed CC0.

2. Towards a Recommendation on Open Culture – What, When, How?

In this session, we presented an overview of our work around the TAROC initiative and invited participants from the audience — coming from Chile, Morocco, India, Finland, Mexico, Serbia and Portugal —  to share their open culture experiences in order to inform this international, community-focused initiative. Some of the topics raised include: the notion of culture is much broader than fine art or even “the arts”; open culture raises specific questions in the context of heritage preservation during armed conflict, where the risk of looting is heightened; better sharing might imply “conditional” sharing in certain contexts; the control over access and use of cultural heritage might be shared by a multitude of stakeholders; open culture raises financial challenges that must be addressed; and more.

This served as a continuation of our ongoing community consultation, after a session on Values at the CC Summit in October, where we polled the audience to learn more about some of the core principles that underpin the movement’s aspirations. These consultations will continue in-person and online with the Open Culture Platform.

3. Open Culture on Wikipedia

In this collaborative session, participants worked together to draft and publish the first Wikipedia articles dedicated to open culture. In one hour we managed to publish pages in English, French, and Spanish, which are now open for anyone to edit and contribute to. We started articles in Finnish and Swedish as well.

4. The CC Certificate for GLAM: learn about it by becoming part of a human sculpture collection

This workshop highlighted considerations from the CC Certificate for Open Culture, a professional development training that builds expertise in open licensing and open practices for cultural heritage professionals. With participants, we put the teaching into practice by creating an exhibit of human sculptures, “digitizing” the works, then evaluating the ethical, cultural, logistical, and copyright considerations around the digitized collection.

GLAM Wiki and the broader open culture context

In running our Open Culture Program, we strive to hold space for conversations about the complexities of openness and the practical implementation of better sharing, our strategic north star — sharing that is contextual, inclusive, just, equitable, reciprocal, and sustainable.

As we engage with diverse stakeholders around the globe and as the landscape of the internet continues to evolve, we face new and important questions around how culture should be shared in a variety of contexts. For example, how can we envision exploration, and not exploitation, of the commons in the age of AI? What does equity look like in a global context where not all GLAMs have the resources for digitization? How can we think of “open” as a means to support wider cultural policy ambitions, not just an end in and of itself?

Our participation in GLAM Wiki was a way to tackle these questions and continue some of the exciting conversations we have had in the past months, including at the CC Summit, on TAROC, traditional knowledge and Indigenous cultural heritage, open culture and generative artificial intelligence (AI), and the future of the open movement.

We will continue to explore these complex topics to gain fresh perspectives in our Open Culture Live webinars, publications, Open Culture Platform calls and activities, and at in-person events where we can connect with the open culture community.

For more information on how to get involved, including in translations of our Open Culture resources:

The post Highlights from GLAM Wiki by the CC Open Culture Team appeared first on Creative Commons.

CC Global Summit 2023: Reflections

vendredi 1 décembre 2023 à 02:43

[lee esta entrada en español >]

We want to share a message regarding some learnings obtained after the 2023 Creative Commons Global Summit and meeting with our Mexican organizing committee and members of the local community.

Financial decisions related to the CC Summit were made by the CC team and not by the local Mexican Chapter. Specifically the cost of entry to the event, which proved to be high in relation to the contextual conditions of Mexico. Due to difficult fundraising conditions for many nonprofits in 2023, the CC team decided to keep the entrance fee higher, offer discounted rates, and scholarships for attendees. We wish to learn from this experience for future events, as it is clear that if we want to continue our value of global inclusion, it is necessary to create a new formula to eliminate access barriers for those who wish to attend our events.

Initially, the estimated cost for simultaneous translation provided to us was above our budget. For this reason, we hired SyncWords to provide live subtitles, human and automatic translations for each of the sessions and panels in the main auditorium. The translations could be accessed through the QR code that we had published in various places (this code provided access to a SyncWords page that displayed the subtitles and the translation). We also offered translation (English/Spanish) according to the needs of our attendees, with bilingual people available in each room and in the auditorium. However, as we began the event we recommended that it was imperative to have simultaneous audio translation to encourage dialogue and follow our value of global inclusion. We especially thank the Tlatolli Ollin Professional Interpretation and Translation Services cooperative, which won the challenge by providing excellent service in a short time.

No one in our Mexican Chapter should be held responsible for any decision, nor should their reputation be tarnished by decisions made during the Summit. After such big events, there are always lessons to be learned and one of them is how CC, as a small global non-profit, which has to raise funds every year to survive, can better support our local chapters that provide so much wisdom and experience.

I want to personally thank everyone involved in the CC Summit and we will continue to work to create a world where knowledge and creativity are accessible to everyone.

Sincerely,
Catherine

Español

Queremos compartir un mensaje referente a algunos aprendizajes obtenidos después de la Cumbre Global Creative Commons 2023 y de reunirnos con nuestro comité organizador mexicano y miembros de la comunidad local.

Las decisiones financieras relacionadas con la Cumbre CC fueron tomadas por el equipo de CC y no por el Capítulo Mexicano local. Específicamente el costo de la entrada al evento, el cual se consideró alto en relación a las condiciones contextuales de México. Debido a las difíciles condiciones de recaudación de fondos para muchas organizaciones sin fines de lucro en 2023, el equipo de CC decidió mantener la tarifa de entrada más alta, ofrecer tarifas con descuento, y becas para los asistentes. Deseamos aprender de esta experiencia para eventos futuros, ya que está claro que si queremos seguir nuestro valor de inclusión global, es necesario crear una nueva fórmula para eliminar barreras de acceso para aquellos que deseen asistir a nuestros eventos.

Inicialmente, el costo estimado para traducción simultánea se nos proporcionó por encima de nuestro presupuesto. Por tal motivo contratamos a SyncWords para realizar subtítulos, traducciones humanas y automáticas en vivo para cada una de las sesiones y paneles en el auditorio principal. Se podía acceder a las traducciones a través del código QR que habíamos publicado en varios lugares (dicho código proveía acceso a una página de SyncWords que mostraba los subtítulos y la traducción). También ofrecimos traducción (inglés/español) según las necesidades de nuestros asistentes, con personas bilingües disponibles en cada sala y en el auditorio. Sin embargo, al comenzar el evento decidimos que era imperativo contar con traducción de audio simultánea para fomentar el diálogo y seguir nuestro valor de inclusión global. Agradecemos especialmente a la cooperativa Tlatolli Ollin Servicios Profesionales de Interpretación y Traducción que aceptó el desafío brindando un excelente servicio en poco tiempo.

Nadie en nuestro Capítulo Mexicano debe ser responsabilizado por ninguna decisión, ni su reputación debe verse empañada por las decisiones tomadas durante la Cumbre. Después de eventos tan grandes, siempre hay lecciones que aprender y una de ellas es cómo CC, como una pequeña organización global sin fines de lucro, que tiene que recaudar fondos cada año para sobrevivir, puede apoyar mejor a nuestros capítulos locales que brindan tanta riqueza, sabiduría y experiencia.

Quiero agradecer personalmente a todos los involucrados en la Cumbre CC y continuaremos trabajando para crear un mundo donde el conocimiento y la creatividad sean accesibles para todos.

Atentamente,
Catherine

The post CC Global Summit 2023: Reflections appeared first on Creative Commons.

Open Culture Live Webinar: Changing the Subject & Respectful Terminologies

mercredi 15 novembre 2023 à 19:35

We are excited to host the second installment of Open Culture Live with our next conversation:

 

Changing the Subject & Respectful Terminologies

A detail from the painting showing a scene of Indian princesses gathered around a fountain with multi-colored dresses, overlaid with the CC Open Culture logo and Open Culture Live wordmark, and text saying “Changing the Subject & Respectful Technologies 29 November 2023 | 4:00 PM UTC” and including an attribution for the image: “Princesses Gather at a Fountain, ca. 1770 Source: The Metropolitan Museum of Art.”
Princesses Gather at Fountain”, ca. 1770, shown slightly cropped. The Metropolitan Museum of Art. Public Domain.

For centuries, cultural heritage institutions have been undertaking the work to document and catalog objects in their collections — sometimes this work suffers from a legacy of colonialism and discrimination in the way their collections are labeled and categorized. Some institutions are working to update these labels with more respectful terminology. Hear more from some of the changemakers working to update labels and metadata with more respectful terminologies during this CC panel.

 

As CC’s Open Culture team works to promote better sharing, we think it is important to address some of the key challenges and concerns that come along with promoting open access to cultural heritage. These challenges are not always simple to address, but they are important to ensuring that open access policies and practices go hand in hand with harm reduction, and do not perpetuate or amplify historic injustices.

 

Learn from the experts involved in addressing harmful labels in cultural heritage institutions in this conversation. We will ask the experts if any institutions serve as a good model for rethinking their labels, acknowledging that many are in the process of ongoing work. We will discuss where to start, how to think about some of the challenging decisions, why and how to preserve historical metadata, and how digital archival practices can support this work. We hope that this will provide a guide of some of the ways you might consider adopting better metadata practices and using more respectful terminologies in your collections.

 

The panel will feature:

 

With introductory remarks from Brigitte Vézina and moderation by Jocelyn Miyara.

 

Register here to attend >

 

→ To stay informed about our open culture work:

The post Open Culture Live Webinar: Changing the Subject & Respectful Terminologies appeared first on Creative Commons.

Dave Hansen — Open Culture VOICES, Season 2 Episode 33

mardi 14 novembre 2023 à 06:00

https://www.youtube.com/watch?v=H14Krmn9QOM

Dave talks about how many “institutions are on a mission to expose their collections to the world and make them available for everyone.” Dave sees this as a major evolution from a time not too long ago when it was only those with means who could access collections in any way.

Open Culture VOICES is a series of short videos that highlight the benefits and barriers of open culture as well as inspiration and advice on the subject of opening up cultural heritage. Dave is the Executive Director at Authors Alliance which is a non-profit focused on sharing work broadly with the public together with authors in the US.

Dave responds to the following questions:

  1. What are the main benefits of open GLAM?
  2. What are the barriers?
  3. Could you share something someone else told you that opened up your eyes and mind about open GLAM?
  4. Do you have a personal message to those hesitating to open up collections?

Closed captions are available for this video, you can turn them on by clicking the CC icon at the bottom of the video. A red line will appear under the icon when closed captions have been enabled. Closed captions may be affected by Internet connectivity — if you experience a lag, we recommend watching the videos directly on YouTube.

Want to hear more insights from Open Culture experts from around the world? Watch more episodes of Open Culture VOICES here >>

The post Dave Hansen — Open Culture VOICES, Season 2 Episode 33 appeared first on Creative Commons.