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One Click Attribution Tool now available for WordPress

mercredi 18 janvier 2017 à 18:53

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Want to make using CC even easier? Today we’re excited to announce the public beta and feedback period for our One Click Attribution Tool for WordPress. Using the plugin is simple: just install the plugin on your site by uploading the zip file containing it, choose your license (using our handy license chooser) click the button, and voila! You’ve added a license to your content.

WordPress powers almost 25% of the web, and CC powers over a billion pieces of content, so this collaboration is fulfilling our mission to make the web and the commons more usable, more discoverable, and more delightful every day.

Big thank yous to Rob Myers (Creative Commons’s software developer), who worked on finishing the new features, refactoring older code, and getting the project ready for this release. Previous work on this version of the code was done by Matt Lee (Creative Commons’s former Technical Lead). The original project was authored by Bjorn Wijers and Tarmo Toikkanen.

How to use the tool

We would like people to download and try the new version of the plugin and provide us with feedback.

In particular we would like to know whether:

The downloadable, installable Zip file of the software can be found here.

The software project can be found here on the “develop” branch.

Bugs and other issues can be reported here.

You can also discuss the software with us via Slack on the #cc-developers channel, or via irc on #creativecommons-dev on Freenode.

The post One Click Attribution Tool now available for WordPress appeared first on Creative Commons.

We Bought It, We Own It, We Fix It: Building Open Policies for Digital Public Goods

mardi 17 janvier 2017 à 18:49

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We’re taking part in Copyright Week, a series of actions and discussions supporting key principles that should guide copyright policy. Every day this week, various groups are taking on different elements of the law, and addressing what’s at stake, and what we need to do to make sure that copyright promotes creativity and innovation.


Today’s topic for Copyright Week is “You Bought It, You Own It, You Fix It”, which means that copyright law shouldn’t interfere with your freedom to own your stuff however you see fit: to repair it, tinker with it, recycle it, use it on any device, lend it, and then give it away (or re-sell it) when you’re done.

Many rights holders are saddling their content with digital rights management (DRM) or restrictive licensing agreements that attempt to limit the use, modification, and distribution of copyright-protected works. In some instances, copyright law being misused in service of controlling access and use of legally-acquired content.

One recent example concerns the agricultural machinery manufacturer John Deere. John Deere attempted to use U.S. copyright law to restrict access to the software code on their tractors. Specifically, the company contended that provisions of the Digital Millennium Copyright Act allows them to limit farmers’ ability to inspect and modify software code to fix or enhance the equipment they already own.

Every three years the Library of Congress entertains arguments from stakeholders wishing to receive an exemption from the anti-circumvention rules of the DMCA. If the exemption is granted, the farmer would be able to legally (within their technical limitations,) bypass the DRM in order to examine and fix their equipment. However, the Library of Congress process is far from ideal. The list of categories of exemptions is quite limited, and requires interested parties to submit new evidence every three years in order to be granted a renewal.

But the principle behind “You Bought It, You Own It, You Fix It” extends beyond our ability to repair, tinker, and fix the technologies to which we have legal access. We see a parallel in the policy work and advocacy that publicly funded resources should be openly licensed resources. Just as we need rules that protect people in accessing and using content and technologies they’ve already paid for (like a John Deere tractor), we need public policies that guarantee access and re-use rights to things we pay for together, like scientific and medical research, educational resources, job training materials, and public sector data.

There are multiple benefits to the public of requiring open licenses on publicly funded resources. For example, it enables collaboration between researchers because the materials are legally “open” for working together, and for continuous improvement. It makes access easier and cheaper over time because the materials are shared widely instead of being locked down under copyright and proprietary licenses that benefit only a small number of rights holders. It increases the efficiency and overall impact of the grant funds stewarded by government agencies.

There are already implementations of the principle that publicly funded materials should be openly licensed materials. One specific example is a grant program at the U.S. Department of Labor. It’s a big program funding up to $2 billion for the creation and dissemination of education and training materials. The difference between this grant program and those that have come before it is that grantees must agree to license and publish the digital content they create under a Creative Commons Attribution (CC BY) license (Note, the open licensing policy has been extended to apply department-wide). This way, the public, and anyone around the world, are free to re-use the materials for any purpose, as long as they give credit to the author of the materials.

Outside of government, we know that philanthropic foundations are learning toward adopting similar policies for their grantmaking. For example, the Bill & Melinda Gates Foundation adopted a liberal open licensing policy (which went into effect as of January 1, 2017) for its science funding programs whereby all peer-reviewed published research and underlying data sets must be published immediately (meaning: without embargo) under a CC BY license.

Tomorrow for Copyright Week: “Transparency and Representation”. Copyright policy must be set through a participatory, democratic, and transparent process. It should not be decided through backroom deals, secret international agreements, or unilateral attempts to apply national laws extraterritorially.

The post We Bought It, We Own It, We Fix It: Building Open Policies for Digital Public Goods appeared first on Creative Commons.

Announcing Swedish Translation of 4.0 License!

mercredi 11 janvier 2017 à 14:55
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Photo by Kristina Alexanderson, CC BY NC-ND 2.0

We are so happy to announce our official translation of 4.0 into Swedish. Now all Swedish speakers can benefit from the 4.0 licenses in their own language.

Creative Commons Sweden coordinated the translation process. The translation draft was prepared by the CC Sweden’s legal team. The draft was put to public consultation from 1 Jan 2015 July to 31 August 2015, and at the same time translation was sent directly to the people involved in the earlier translations of CC licenses, IP lawyers, librarians and representatives of cultural heritage institutions. Blogs, social media, and the mailing list were used to inform about the translation process.

Thank you to the members of CC Sweden involved in the translation process:
Catharina Ekdahl – lawyer, coordinator of the translation process responsible for managing the process of translation of 4.0 for Creative Commons Sweden.
Olle Pettersson – lawyer, coordinator of the translation process responsible for managing the process of translation of CC0 for Creative Commons Sweden.
Karl Jonsson – lawyer, legal lead of Creative Commons Sweden.
Kristina Alexanderson, project manager for Creative Commons Sweden, responsible for process of comments from CC Legal, final publication and contact with CC Legal.
Jonas Öberg – Creative Commons Sweden.

We want to also thank for invaluable help, comments, and support to Stefan Högberg and Lennart Guldbrandsson.

The post Announcing Swedish Translation of 4.0 License! appeared first on Creative Commons.

Communia publishes position papers to untangle lackluster EU copyright proposal

lundi 9 janvier 2017 à 22:14

In September 2016 the European Commission released its proposed changes to copyright in the EU. Unfortunately, the proposal fails to deliver on the promise for a modern copyright law in Europe. Creative Commons is a founding member of  the Communia Association, which has been hard at work advocating for positive changes to the Commission’s plan.

The group has published a series of position papers dealing with the various parts of the proposal for a Directive on Copyright in the Digital Single Market. The short policy papers are linked below. The next step in the legislative process will be providing specific textual changes to the proposed Directive. This amended language will be introduced by Members of the European Parliament and negotiated within the relevant committees. There’s still time to fix this copyright law to make sure that it supports users and creators in the 21st century.

education-exceptionEDUCATION EXCEPTION: The paper argues for the introduction of a mandatory exception for educational purposes that does not primarily focus on the type of person or institution doing the teaching, but rather on the educational purpose of the use, and that cannot be excluded by Member States if licensed content is available.

 

text-and-data-mining-exceptionTEXT AND DATA MINING EXCEPTION: The paper argues for expanding the proposed exception to allow Text and Data Mining by anyone for any purpose.

 

ancillary-copyrightANCILLARY COPYRIGHT: The paper argues that Article 11 (“Protection of press publications concerning digital uses”) should be removed from the proposal.

 

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FREEDOM OF PANORAMA: The paper argues that the European Parliament should introduce a broad, EU-wide Freedom of Panorama right that applies to both commercial and noncommercial uses of all works permanently located in public spaces.

 

content-filteringCONTENT FILTERING FOR ONLINE PLATFORMS: The paper argues that Article 13 and the related recitals should be deleted from the proposal.

The post Communia publishes position papers to untangle lackluster EU copyright proposal appeared first on Creative Commons.

What does “open” mean in Nigeria? Reflections on a Nigerian Roundtable with Stakeholders

mercredi 4 janvier 2017 à 16:40
CC Nigeria Meeting. Photo by Kayode Yussuf. CC BY-SA
CC Nigeria Stakeholders Meeting. Photo by Kayode Yussuf. CC BY-SA

In the area of knowledge governance today, it is no longer in doubt that ‘open’ is an important and emerging paradigm and philosophy. The shift from strictly closed and proprietary forms of knowledge governance is irrefutable and the notion of exclusive and absolute control over their content by authors is fast becoming the exception rather than the rule. This has resulted in the proliferation of different concepts, models and mechanisms of knowledge governance such as Open Access publishing, Open Education Resources, Open Data. Alongside these are new forms of licensing including Creative Commons, GNU, etc.

Creative Commons Nigeria got support from Creative Commons headquarters through the Awesome Fund and Nigerian Institute of Advanced Legal Studies to host a stakeholders’ roundtable discussion on Creative Commons and its effect on open access to information and knowledge. The theme of the roundtable was “Understanding the Importance of the Open Access to Content in Nigeria in the Light of Current Copyright Law Reforms.”

CC Nigeria Meeting. Photo by Kayode Yussuf. CC BY-SA
CC Nigeria Meeting. Photo by Kayode Yussuf. CC BY-SA

Speakers at the roundtable included the representative of the Director General of the Nigerian Institute of Advanced Legal Studies, Prof. Adebambo Adewopo and Ms. Esther Ekong of the Nigerian Institute of Advanced Legal Studies, Mr. Michael Akpan of the Nigerian Copyright Commission, Dr. Ifeoma Oluwasemilore of University of Lagos, Abiodun Thorpe of Rainy Lemon Ltd, Samuel Atiku of BudgIT, Idrees Ibrahim and Kayode Yussuf of Creative Commons Nigeria.

The meeting had 85 participants from various sectors such as government, regulators, academia (high school and universities). The meeting also had librarians, technology start-up companies, social enterprises in attendance. The aim of the meeting was to introduce Creative Commons to the stakeholders and get their feedback. An important part of the meeting was listening to the fears of the community on using Creative Commons licenses.
It was enlightening to note that the Nigerian Copyright Commission, the intellectual property regulator in Nigeria, had plans for Open Access licenses. The regulator had done a lot of research on Creative Commons Licenses and was willing to work with Creative Commons Nigeria in educating the users of these licenses.

There are good reasons for this trend. The concept of open comes with great merits and is in perfect alignment with digital technology as the principal means of knowledge production and dissemination today. The philosophy of ‘open’ in knowledge governance and its merits can be seen in both the public and private sectors in education, research, governance.
For a country in the process of reforming its copyright laws to align with current requirements of the digital age, the concept of ‘open’ cannot be ignored. Unfortunately, it is clear that the philosophy of ‘openness’ in any form of knowledge governance is still a strange phenomenon in Nigeria. The level of awareness and scale of implementation of the different models of openness in knowledge governance in the country are insignificant in proportion to its size, needs and population. Reasons for this include lack of awareness and misconceptions about concepts and models, particularly Creative Commons and Open Access publishing. For instance, despite the increasing recognition of and justification for the use of Creative Commons licenses internationally, the mainstream Nigerian populace in the creative industry regards it with misgivings and suspicion. There is indeed a strong perception of CC among the stakeholders as a threat to their interests as copyright owners. Lack of awareness also exists in the academia and among key policy makers. These concerns clearly underscore the importance and imperative for enlightenment programs on Creative Commons in particular and open access practices and policies in knowledge governance generally in Nigeria. This imperative is further strengthened by the fact that Nigeria is on the threshold of amending her extant copyright statute in response to digital technology. Amending the law without properly integrating the philosophy of ‘open’ and the diverse models in knowledge governance developed on the basis of the philosophy would constitute a serious setback to knowledge governance in Nigeria.
This roundtable was designed to fulfill this need. It provided a platform for CC Nigeria to discuss with provide adequate knowledge of CC to the NCC and other policy makers and stakeholders in the academia and the creative industry as a whole. Such knowledge would be useful in providing them with enough understanding of the objectives of CC and the modalities of the licenses and thus help to clarify existing misconceptions and misgivings over CC.
Next steps after this stakeholders’ roundtable will be to begin to engage each sector. It will be great to host training for librarians, academics, business people and for those in entertainment.

Photos of the event can be seen on Flickr

The post What does “open” mean in Nigeria? Reflections on a Nigerian Roundtable with Stakeholders appeared first on Creative Commons.