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Give the Time of Eve guys some Love at Kickstarter

samedi 25 mai 2013 à 20:58

So the indie filmmakers behind Time of Eve are apparently thinking about making an international blu-ray release of their excellent animated film, after fans apparently clamored for one. What’s interesting though, is the way they decided to go about this: via a Kickstarter campaign.

Why Kickstarter?

Yes, there are other ways to get a Blu-ray of the movie to fans outside of Japan. But, these involve surrendering rights to the movie for large swaths of the world, for lengthy expanses of time. We looked carefully at the options, and then looked back at the roots of this project. From the very beginning, we booted strapped Time of EVE, episode by episode; and the direct rapport with fans has fueled this project throughout. We decided to hold onto the rights, and see how new distribution technology, and now crowdsourcing, can enable us to stay true to the original vision behind Time of EVE, and reach out to fans directly. Is it the best way? That, we can’t answer. But, it the path we’ve taken from the start.

I think this is really quite cool. We’re living in an interesting period now where a lumbering juggernaut of traditional media creation/publishing/distribution practices is beginning crash violently against the open, increasingly available, and rapidly accelerating Internet. We could well be sitting on the verge of the radical changes it would take for the media industry to fully adapt to an Internet age. This change has to happen, because the most likely alternative is a terrible one: where media cash giants win their war against piracy, almost inevitably at the cost of Internet freedom. What Studio Rikka/Directions Inc is doing here is something I hope more media companies would do: refuse to submit to traditional distribution processes and instead seek new technology/crowdsourced-based methods of getting their work out to their fans. Kickstarter campaigns may not be the final answer, but it is a palatable enough start. One where creation studio and fans have more say and sway over the terms and methods of their trade.

So pop over and give them some love! Go over and read the excitement-suffused fan comments and the wonderstruck updates from the project owners. And if you can and are sufficiently interested – make a pledge and earn a nice reward! We who watch anime know how ineffectual the current ‘standard’ channels of anime distribution are especially for the international audience. This needs to change. The campaign has already doubled its initial goal amount in less than 2 out of its intended 30-day run, but we can make it an even bigger success story. One that other anime studios would hopefully watch and do some serious thinking about.

Edit: “UPDATE: The Blu-ray will be region free” \o/

About Time of Eve
Time of Eve started as a 6-episode ONA that eventually got stitched together with connecting scenes into a single fluid film. If you’ve never seen it before, you really owe it to yourself to check this out, especially if you know ought about Asimov’s Laws of Robotics and some of the philosophical ideas Asimov explored in his robot novels. Time of Eve is this studio’s own vibrantly illustrated, liquidly animated, and vividly musical little twist on that universe, and while it doesn’t try very hard to take its ideas far, compared to Asimov, it nonetheless manages to come off as very immersive, thoughtful, and at many points even endearing. It is perhaps every bit the beautiful, lovingly crafted modern reimagining fans of Asimov’s universe could hope for. I remember being blown away a long time ago by the first ONA episode and subsequently being reduced to a bout of embarrassing incoherence. In short, this is good stuff. Recommended watching.

Have a trailer if you need one

Kirino, Kyousuke, Kuroneko – the culmination at OreImo 2 ep 7

lundi 20 mai 2013 à 20:02

It’s been a quality spring season despite a somewhat rocky start, and there’s been a lot to think and talk about. Way too much in fact. Even talking generally about singular shows – like about OreImo 2 – seems like such an impossibly colossal task for a single post at this point – halfway across the season. I had to force myself to make a focus, and after reading some conflicting opinion on OreImo 2 ep 7 (and the nth Kirino-hating post), I’ve decided to bring out my own take on the Kirino-Kyousuke-Kuroneko dynamic leading up to, and in the wake of episode 7, and fling it out into the chaos out there.

Hey, it’s good to have opinion variety, no?

I should probably put it out there right off the bat that I consider Kirino my favorite OreImo character at this point. Not a popular position I know, and in fact not a position that I held for most of season 1 either. But I’ve come round – I think she’s a pretty fascinating character, and in her own ways endearing. Kyousuke should know:

“Always giving her best”, “finding interest in a lot of things, and pursuing them wholeheartedly”. Also, importantly: “Thanks to you, there’s a lot more fun in my life”. I think it’s important to think about the kind of existence Kirino is to Kyousuke, which mirrors the kind of impact Kirino obliviously exerts onto the lives of the people close to her. Consider these lines during the race with Ria in episode 4:

Right now, Kirino is being cornered by someone far better than her.
Just like I once was… when my little sister beat me, overwhelmed me, in everything I did.
But. She isn’t running away like I did. She’s facing her.
She’s facing her head-on, and struggling her hardest…

I think there is an interesting reversal of roles in effect here, where Kirino the younger sibling is not only incontrovertibly more accomplished than Kyousuke, but also the target of his admiration for her attitude and spirit. I think this is important – that Kirino is someone Kyousuke fundamentally respects and looks up to. I think this has a lot to do with the way Kyousuke behaves and all the crazy antics he has pulled throughout the show. Being able to do something for Kirino, even being relied upon by Kirino, is probably both a gratifying feeling and also a chance at reaching out into something beyond himself. Sans Kirino, Kyousuke would probably have simply been, as he calls himself, a simple, average high school student. But Kirino’s existence, and with her the constant pressure of living alongside someone accomplished, as well as the given chance to be of positive help to someone he looks up to, in all likelihood compels him to go further, to go beyond his better judgment and do things outside of his comfort zone. Being able to be of help to his sister probably gives him a kind of validation, a kind of “I may never be as accomplished in my life, but I am able to contribute positively, I can be of help to my sister” – almost a kind of transcendence you could say, over his relative mediocrity. I think Kyousuke came to form something of an emotional reliance on this, and that likely at least partially explains why, the instant Kirino leaves for America, he compulsively launches into fussing over Kuroneko, as well as why he ended up so restless at being mostly ignored by Kirino at the beginning of season 2.

It’s probably arguable whether or not Kyousuke is actually infatuated with Kirino romantically on top of all of that, but I think it’s fairly clear that Kirino at least is pretty infatuated with Kyousuke. Overall I think that Kirino is one of the more straightforward characters in the show, but in this particular regard alone she seems to be constantly unable to communicate, or perhaps even decide, her feelings, seeding the constant ‘bridge-too-far’ dynamic between her and her brother. It is likely that she is a little in denial about her feelings for Kyousuke, especially since she could hardly be unaware of its incestuous implications (why hello elephant in the room), but I think these last few episodes should have made it pretty clear to us the viewers at least. Kirino is in love with Kyousuke. Even Kuroneko describes the extent of her own feelings for Kyousuke as “as strongly as your little sister loves you”.

I think it’s important not to sweep this under the rug, and to actually keep in mind that a Kirino-Kyousuke thread is spun firmly into the OreImo web – incestuous implications and all. So I think it is good that the narrative did not simply take a clean nose-dive into a Shironeko girlfriend arc. The existing Kirino-Kyousuke dynamics and lingering loose ends need to be given some sort of resolution. I thought it was really nice that the whole fake-boyfriend arc concluded with Kirino essentially telling Kyousuke to go out with Kuroneko. I think it casts a gentler light on the messy affairs preceding that point, and hints at a Kirino that had been gradually struggling to come to terms with the idea of Kyousuke being with another girl – eventually succeeding. On the other side of things Kyousuke must have come off the whole thing with a somewhat clear idea of, at the very least, how Kirino feels seeing him being flirty with the other haremettes. And the collective of all of that, leads to what I consider a very palpable Kuroneko confession scene.

Don’t you want to show those kinds of people a thing or two?

We should also take a moment to consider what the Kirino-Kuroneko relationship is like. While Kirino’s feelings towards Kuroneko is fairly straightforward – a close friend with shared interests that nonetheless needs to be constantly battled because of her anime preferences (and her tendency to flirt with Mr Kyousuke), things are likely more complicated on the Kuroneko side. Like with Kyousuke, Kirino’s talent and tendency to succeed (especially with regards to her novel and anime) likely exerts a kind of unwitting pressure on Kuroneko. On the one hand inspiring her to work harder and assert herself in the season 1 OVAs – as well as likely manifesting as something of a minor inferiority complex when she, being her perceptive self, understood that the principal rival for her love interest was this person whom she grudgingly envies and admires.

And with all of the above as context we can watch the unspoken threads of thought unfold during Kuroneko’s confession, and ride the emotional roller coaster it entails. When Kuroneko blurted her confession, Kyousuke was clearly thinking about the episode with his sister and her “boyfriend”, and knowing better than to just leap headfirst into a romantic entanglement right after that. And yet on the other hand we can see Kuroneko clearly choking on her own heart, knowing that this was the moment of reckoning, of whether or not she could shake the shadow of Kirino in the heart of the one she loves. It was almost unbearable to see her tears beginning to well at Kyousuke’s uncomfortable silence. But the grace with which she recovered (and her delicious scathing demand that Kyousuke kneel) says something about the strength of her character. She wasn’t going to give up lying down, and I thought the whole thing that followed: Kyousuke kneeling on the floor as Kuroneko flouts the fortes of going out with her, then passionately wording her heartfelt adoration, and Kyousuke’s smile, was all very nice and suffused with something like a mutual affection between the two, as well as with feelings and personalities uniquely their own. In particular that final head-on-floor dogeza, that’s Kyousuke down to a T.

There are also a few things to say about this part where Kirino effectively gives her blessing. Firstly, it’s really kind of cute how Kyousuke sort of droops and blurts that he’d probably cry if Kirino got a real boyfriend. It’s like the most uncool thing to say possible, but that’s the business Kyousuke is in in this show. This time in particular though I think it was an incredibly apt thing to say, since the true situation is actually reversed: Kyousuke is the one that is going to get a real girlfriend, and it’s easy to imagine that Kirino will probably be the one to end up doing some crying over that. Perhaps the knowledge that Kyousuke would have done the same – would have held back his own unhappiness for the sake of her happiness, and simply cried – would serve as a kind of consolation for Kirino. It’s also interesting that Kirino is able to give her blessings like that in the first place, as that would imply that, in all likelihood, Kuroneko has actually talked this out with Kirino already. Quoting Kyousuke and Kuroneko’s conversation at the end of ep6 right before the confession scene proper:

Kyousuke: Kirino says she wants to redo the party tomorrow.
Kuroneko: She told me last night on the phone.
Kyousuke: Oh yeah, I did hear her talking for awhile.
She looked relieved. So you two made up, huh?

In all likelihood, they did more than just make up and plan a party. I think it says something nice about the friendship between Kuroneko and Kirino that things could culminate in this way. Kuroneko’s confession and Kyousuke’s eventual acceptance I think is something of a special moment for a series like OreImo. Although – this being OreImo – I can certainly see more trainwreck drama coming our way in the following episodes, right now at least there exists a rare stretch of synchrony and mutual understanding between our principal characters. It is a palatable thing.

I couldn’t resist dropping a side-mention for Manami, who is really quite amazing. You never sense a trace of jealousy or envy from the girl, even though she’s probably been the most obvious member of the harem since forever. That steadfast smile as she gives Kyousuke her honest advice. Sometimes Kyousuke does seem like something of a lucky bastard.

It’s also nice that they spent some time closing out the minor abrasions in their “circle”. Saori totally deserved that apology. I could probably spend a full separate post talking about this circle, but for the time being it suffices to say that I think this is another important part of the equation of their lives balanced and closed out. I cringed a little at Kyousuke and his bikini-Kirino wallpaper antics – that’s probably his patently uncool way of affirming the importance of Kirino’s existence to himself, right on the eve of accepting Kuroneko’s confession. But man, it’s just… the dumbest thing in the universe to do in front of the girl who just confessed to you. Fortune of fortunes though, Kuroneko is too smart and perceptive to be blindsided by that one, so things proceeded smoothly, and we have ourselves our new couple.

On the whole, I liked the episode, thought it was all fairly well handled: the whole transition into Kyousuke and Kuroneko finally getting together officially. Of course, it won’t be Kyousuke if he didn’t completely blow his first day as Kuroneko’s boyfriend, but I thought the little episode between them at the end was very cute. It’s kind of endearing that Kuroneko still keeps lapsing into her chuunibyou talk when she gets embarrassed – heaping on the mystique over all the embarrassing things she does as if it could cover up the cuteness. Awesome. I look forward to plenty more of that in the episodes to come.

(And yes, I happen to have read the semi-spoilerific tweets and comments hinting at the eventuality of this whole affair, but I’m going to pretend I never saw any of that)

Allowing res.nimg.jp to store information locally on NicoNico

jeudi 16 mai 2013 à 09:56


It’s a dumb little problem: opening a video on NicoNico has a flash setting dialog pop up asking

res.nimg.jp is requesting permission to store information on your computer.

Requested up to 1MB
Currently used: 83 KB

With “Allow” and “Deny” buttons – neither of which are clickable!. And so this dialog sits in the middle of the video widget refusing to be dismissed and cockblocks the crap out of all your video watching efforts.

Reinstalling Flash as suggested somewhere didn’t help. In the end, I discovered a dumb little workaround: load the video on nicoviewer instead. That is, if your video url was http://www.nicovideo.jp/watch/sm12345678 then the nicoviewer url would be http://www.nicoviewer.net/sm12345678. The same dialog should show up on the player there, but this time the buttons are clickable! So I clicked allow, Flash remembers the setting, and videos on NicoNico stopped showing the dialog from then on.

I later also read that an alternative method is to go here where you should be able to see your Flash player settings. Just scroll through the list of sites and look for res.nimg.jp and then adjust the slider up to ’1mb’, and that should apparently fix it.

Spring 2013 Brainmarks (Simplified)

vendredi 3 mai 2013 à 16:11

The blog is alive again! Wahahahaha

So first of all a mostly unimportant logistic detail: I’m changing the original definition of Brainmarks posts a little to make it easier on myself. The essential difference: I’ll no longer sieve through _everything_ the season has to offer. I’m no longer doing this with my housemate, and while checking out everything was sort of fun while it lasted, it’s also extremely time consuming and more often than not even sort of thankless (watching clearly shit shows just to make doubly sure they really are shit is not the most fun thing in the world). So what I’ll list here are shows that I i) somehow decided to check out, either from recommendations, blogs, or general buzz and ii) have not swiftly chucked aside after one or two episodes because I clearly didn’t like it. I’ll still rank the brainmarks though, because that’s sort of fun.

Spoilered: What are brainmarks? (Revised) Show

Oh, and as a bonus, since I don’t actually check out everything anymore, you get to yell at me in the comments if you think I missed a good show. And with that out of the way, let’s dive in.

Brainmark #6: Yahari Ore no Seishun Rabukome wa Machigatteiru

Episodes seen: 3

I’m not well versed in the ecosystem you all live in

I’m really not sure how much I like this show at this point, but it’s resisted my attempts to drop it so far, so I’ll give it a brainmark. It’s got a sort of trope-y setting with the loser/socially reclusive male-lead winding up in a weird club with two different and attractive girls, along with pacing that feels a little bland and linear as well as generally terrible production values, but it’s got some pretty sharp dialogue with which it works on doing some fairly interesting exploring and deconstructing work on schoolyard social dynamics. I don’t really like many of the characters (except the ridiculous chuunibyou guy, who is awesome), and there are far too many obvious strawmen, but at the same time I’m kinda stuck with the show for now. It’s got a genuine theme to explore and it’s got things to say, I guess. We’ll see how well it continues to do it.

Brainmark #5: To Aru Kagaku no Railgun S

Episodes seen: 2

Not sure I’m a fan of the new Fripside OP tbh

The expositionary episodes of Railgun’s second season felt a little contrived to me to be honest. Oblivious street thugs, inconsequential terrorists, hostage situations, over-the-top resolutions, it’s all sort of deja vu by now – it feels like all of these were already deployed multiple times in the original Railgun and are just kind of recycled formula at this point. Still, JC’s production is pretty on the ball, so it’s still decent eye-candy while serving as a sort of effective reminder of what Railgun was like. Of course, there’s plenty of familiar ear candy too, with Itou Kanae on best-girl-Saten and Arai Satomi continuing her tour-de-force of perverted Kuroko lines. JC has never been really solid with serious shows so I’m not sure how much expectations I dare to have in terms of plot and drama (Season 1 was sort of hit and miss in this department after all), but IIRC the sisters arc is taken straight off the manga, so hopefully it’d be decent. The best part of the first season for me, as I detailed before, has always been the character relationships – the way the main characters interact and how this defined what they each meant to each other. JC doesn’t seem to have bothered itself with weaving much of that into the exposition, but I expect we’ll get into that in due time. It’s an important centerpiece of Railgun’s narrative after all, and as long as JC continues to recognize this and put some back into presenting it properly, I should be able to enjoy this show.

Brainmark #4: Suisei no Gargantia

Episodes seen: 3

Trust IG to come up with peculiar, semi-fascinating concepts like these..

While episode 1 featured some flashily pretty and eccentrically IG-esque mech-vs-alien battles, it sort of rubbed me the wrong way with that grand oratory painting that semi-cheesy picture of a futuristic, philosophically deranged society. It looked for awhile like it was going to be another Psycho Pass in terms of the themes it’ll explore and how it’ll go about it. However, the show surprised me when it cut all of that loose and kept only a single member of that grand world – our main character, and hurled him alone into a different world – a more primitive, more “normal” one. The ideological differences and the conflicting assumptions made by both worlds are then fleshed out by having the main character try to comprehend this new society he finds himself in, and having the other principal characters try to get to know our main character. I thought this was a very nice way to go about the whole thing. The production values are also pretty great (it’s Production IG after all). However, exploration has been on the slow side so far and not a lot of ideas have yet been thrown. Plus the antagonists so far are rather of the strawman variety that I despise, though I suppose the ones we have so far are only intermediary villains. It also annoys me that they have the “important looking leaders who apparently can’t connect the simplest of dots” thing going – a trope perhaps just a little too common in anime. Still, all in all I think Gargantia’s got potential, and at the same time is simple enough, so far anyway, to remain a decent show even if it doesn’t eventually meet its promises. A friendly and safe pick, you could say.

Brainmark #3: Red Data Girl

Episodes seen: 4

Putting this above Gargantia is probably largely a matter of taste. Red Data Girl is a pretty intriguing show with a lot of eye candy (as we’ve come to expect of PA’s shows), and with a funny little title that I thought was pretty detrimental to its exposition. “Red Data Girl” gave the show an unnecessary amount of sci-fi vibes which, along with the somewhat fumbly first episode, made the direction of the show confusing for awhile, until I eventually figured out that the supernatural elements of the show were really more along the lines of Japanese folklore. Once that got figured out, everything started falling together much better and one begins to appreciate some of the beauty and fluidity of the audio-visual direction. Even the main characters, who appeared forbiddingly obnoxious in the beginning of the show, started to warm up and feel approachable as the show got into gear. Having the main characters start off in such an unsightly state (a timid damsel-in-distress and a perpetually angry teen) I guess gives them a lot of character development room – if the rest of the story can keep it interesting while they’re busy being obnoxious. But I’m really in this one mostly for the artistic elements, as well as for some of the ideas behind the design of the show’s supernatural elements. Contemporary takes on Japanese traditional concepts of spirituality and divinity happen to be something that I find intriguing, and so I suppose you could say that this show is kind of my cup of green tea.

Brainmark #2: Shingeki no Kyojin

Episodes seen: 3

Otherwise known by its ungainly English tagline: “Attack on Titan”. Continuing the trend of shows this season annoying me with their first episodes, Shingeki no Kyojin opened with a very dramatic but more than a little cheesy portrayal of a titan invasion. Wit Studio (which appears to be a child studio of sorts of Production IG) nailed the key parts of the animation production admirably, but I thought that a lot of that artificial shock-mongering and general overuse of this “wide-eyed adults that look like they’ve peed their pants” thing were unnecessary, and left me with a bad aftertaste. It’s just not the sort of superficial bling that I enjoy. The blatant drama and emo mongering gradually toned down though as we got done with world building, and now that we have a core of characters introduced and stabilised, we can finally leave the over-the-top exposition behind and begin developing ideas, the potential of which I think are plentiful in a world like Shingeki’s. It’s a powerful and ambitious setting to base a story on, and Wit Studio has shown that they have the animating chops to carry through when we hit the inevitable battle scenes. We’ll see if the writing also holds up.

Also, while the OP has gathered much attention for being able to essentially go with anything, it is the ED that I really like. Hikasa Youko really has a great voice especially for numbers like these – radiant, stirring and sweet all at the same time.

Brainmark #1: Ore no Imouto ga konna ni kawaii wake ga nai 2

Episodes seen: 4

Taketatsu Ayana continues to do a phenomenal job as creepy otaku Kirino

A peculiar choice for number 1 perhaps, but it basically just reflects how bumpy my experiences have been with the other shows of the season. In contrast, OreImo 2 opened exceedingly pleasantly, from the shallow yandere fun of Ayase’s episode to the impressive delivery of Saori’s glowing episode. A1 is also holding up the standards of production quality set by AIC and has taken over the production very smoothly. Still, it’s hard to argue that OreImo as a whole doesn’t have some obvious crippling flaws. I happen to think however that if you get past some of the contrived drama it flings at you, a lot of what OreImo is composed of is actually really quite well conceived. Looking back now on season 1 in the wake of Saori’s episode, the entire constructed web of character relations in the show actually feels pretty well thought out, and Kirino, her unpopularity notwithstanding, really does feel like an effective central figure for the entirety of the show. A pivot around which the other characters of the show can develop, and around which some of the ideas of the show can be fleshed out. Speaking of ideas, OreImo’s portrayal of otaku subculture is also unusually broad and dynamic. It feels like the show plumbs it and attempts to bring out different facets of it instead of just treating it like a static plot device. Interestingly enough, I actually have a planned post that has been sitting for the longest time in the pipeline – on the idea of Moe and OreImo’s interpretation thereof. Now that season 2 is up and new material is coming in, I guess that one’s gonna be stuck in blog post purgatory for some time more…

Actually, what little drama we have so far has been gracefully handled. One can hope..

Anyway, I think there’s a lot to watch for in season 2. Season 1 left us with a good amount of room to progress upon – we’ve suffered past a lot of the ickier details that season 1 had to establish already (like anchoring and billing the obvious sis/bro-con overtones between the Kousaka siblings) and now that we’ve either been scared away or have somehow swallowed it, I’m actually sort of curious to see how the Kyousuke-Kirino dynamic will work out now that they’ve both sort of figured out what the other is thinking, especially in the wake of the whole arc with Kuroneko in the original “true route” ovas. All in all I have pretty high expectations actually. And of course, the best part of OreImo S2 is the return of the radio show. Only two episodes in and I’ve probably already grinned creepily to myself far too many times listening to it on my bus rides home.

Honorable mention: Hataraku Maou-sama!
A show as entertaining as you can expect a show about an impoverished demon lord working in Mc..Ronalds.. to be. It also seems to be making a good effort early on to gradually begin resolving the “I’m the hero and he’s the demon lord!” conflict even as it cranks out the comedy, which means this show may actually avoid the trainwreck wishy-washy ending and actually stay good to the end.

Honorable mention: Hentai Ouji to Warawanai Neko
Guilty pleasure show with decent comedy and a lot of shallow but cute d’aawww. JC’s animating is actually pretty up to par here, and in combination with YuiKaori’s killer work with the two lead girls makes this that sugary show you can watch at the end of the day when your brain doesn’t feel like thinking too much anymore.

Playing Multiple Subtitles Simultaneously with Mplayer

lundi 29 avril 2013 à 21:12

Well, with any player that plays ass subs really, but the procedure requires Mplayer :)

(I know I haven’t written a real post in a good while and this doesn’t quite count. I’ll post soon! I hope.. at least, I’m positively definitely trying to really write a proper post and push it out as soon as I’m positively capable of doing. No really!)

So I found myself needing to have both english and chinese subtitles on at once today and struggled with it briefly. I eventually found the solution in the form of a script called merge2ass (Source). What it does is it takes two different subtitle files and smushes it into a single ass file that basically shows the first subtitle file at the top of the screen and the second subtitle file at the bottom, something like this:

Yuki is sad all this is harder than she wanted

Usage of the script is simple enough. Make it executable, then supply the video file, the first subtitle file, then the second. You can also just run the script without arguments and it’ll show a nice help message.

chmod +x merge2ass.sh
./merge2ass.sh yourmoviefile.format sub1.srt sub2.srt

This will produce a file called yourmovilefile-bilingual.ass that you could then load with mplayer (or whatever other player you want) to get simultaneous dual subtitles.

Oh right, for this to work with chinese subtitles, you need to change line 125 and/or 128 of the script and supply -subcp enca:zh:BIG5 as an mplayer option, as per this post. Just add it immediately after ‘mplayer’, like so:

mplayer -subcp enca:zh:BIG5 -dumpsrtsub -noautosub -really-quiet -frames 0 -sub "${sub[1]}" "$movie" 2>>"$mplayer_err" && echo "Done"