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Steal This Show S04E17: The Future of Power, with Cory Doctorow

mercredi 5 juin 2019 à 21:05

In this episode author Cory Doctorow discusses three stories from his new collection, Radicalized. We discuss:

– The perils of DRM, and becoming dependent on manufacturers — from printers, to toasters and beyond — and how (or if) we can force control of our technological future.

– What lengths it’s permissible to go to when we’re trying to effect change against the systems which might very well end the world as we know it;

– If all of this fails, the ethical, philosophical and practical problems involved in waiting out the apocalypse in a high-tech, high-security bunker.

Grab Cory’s new book Radicalized — DRM and EULA free – at Craphound.com, or all the traditional online retailers.

Steal This Show aims to release bi-weekly episodes featuring insiders discussing crypto, privacy, copyright and file-sharing developments. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

Host: Jamie King

Guest: Cory Doctorow

If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

Produced by Jamie King
Edited & Mixed by Lucas Marston
Original Music by David Triana
Web Production by Eric Barch

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Ukraine Cyberpolice Reveal Results of ‘Operation Pirates’

mercredi 5 juin 2019 à 10:02

After being regularly featured in the USTR’s ‘Priority Watch List’ for failing to do enough to protect intellectual property rights, Ukraine has been under pressure to act against piracy.

As a result, Ukraine’s cyberpolice unit has made several announcements since mid-2018 indicating they are doing just that.

Last June, police shut down Olainfilm, a streaming site with half a million users. Then in February 2019, authorities announced that dozens of sites, allegedly operated by the same man, had also been closed down.

Building on this work, several weeks ago the Ukrainian government announced the launch of “Operation Pirates”, an anti-piracy initiative aimed at tackling all forms of piracy. With that specific effort now complete, it appears that most actions have been taken against pirates exploiting video content.

According to an announcement by the country’s cyberpolice unit, the operation closed “more than 30 pirate online cinemas”, a term that is most often used to describe streaming sites. In total, 19 criminal proceedings are now underway for alleged copyright infringement offenses.

Police haven’t provided a full list of fallen sites but four – three of which with relatively significant traffic – were named in a report last month. They were operated by two brothers, one of whom works for a high-level government department handling taxes and customs while tackling fraud.

Of the 30 sites closed by police, 13 were allegedly operated by one man based in Lviv, the largest city in western Ukraine. His motivation is said to be the revenues generated by advertising on the platforms.

Given that so-called ‘camming’ is considered a particularly damaging form of piracy, Hollywood will be pleased that Ukrainian police have also captured their very first ‘cammer’.

According to the authorities, a case has been filed against a “young man” who was caught filming movie premieres for distribution via pirate sites. The man, from the city of Kryvy Rih in the Dnipropetrovsk region, now faces up to two years in prison for alleged violations of Part 1 of Art. 176 (Violation of copyright and allied rights) of the Criminal Code of Ukraine.

In addition to tackling piracy of movies and TV shows, the Ukrainian authorities say that they’ve also been investigating people involved the illegal transmission of thousands of live TV channels. No arrests have been reported in connection with the investigation.

“The completion of the operation does not mean that work in this direction is stopped,” said Ukrainian cyberpolice chief Sergey Demedyuk.

“We continue to take measures to expose so-called pirates and are ready to interact with the right holders to respond to the violation of their rights. So, we call on interested parties to cooperate in countering piracy.”

In recent weeks, an anti-piracy memorandum was signed by Starlight Media (Ukraine’s largest broadcasting group), Media Group Ukraine (one of the largest media holding companies), TV channel Studio 1 + 1, Discovery Networks, IFPI-member Music Industry Association of Ukraine, and the Ukrainian Anti-Piracy Association.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Pirate ‘CAM King’ 1XBET Becomes Russia’s 3rd Largest Online Advertiser

mardi 4 juin 2019 à 21:46

Since 2018, it’s likely that Internet users searching for the latest pirate ‘cam’ copies of Hollywood movies will have been exposed to the brand 1XBET.

1XBET is an online gambling company based in Russia that currently has more than 140 of its URLs blocked by the Russian government after being declared illegal. However, it is still managing to attract eyeballs all around the world via online advertising, including via ads placed in pirated copies of movies.

In a TF report published last month, we covered some of the activities being associated with the company, along with thoughts from local anti-piracy sources. Interestingly, 1XBET is now making headlines in Russia for being one of the most prolific online advertisers in the entire region.

The information comes from a new study, published by research company Mediascope, ranking the companies that placed the greatest volume of advertising online in Russia during the first quarter of 2019.

At the top of the pile with 3.3% market share is Google, which doesn’t comes as a huge surprise. The search giant is followed by PepsiCo in second position with 3.1%. In a remarkable third place sits 1XBET, with a significant 2.4% of the market.

To give some perspective, food giant Danone claims 2.3% of the market while Universal Pictures Russia has even less with 1.9%.

Mediascope data (credit: RBC)

What makes this achievement even more bewildering is that last year, another ‘sponsor’ of piracy releases was also making headlines for similar reasons.

Azino 777, another gambling company closely connected to ‘pirate’ releases, previously took the top spot for advertising online in Russia with 6.7% of the market. This year the company was ranked just 60th. It’s believed that the anti-piracy memorandum signed last year is at least partly responsible for the decline since participants are able to delete ‘pirate’ sites from search results.

Mediascope data published by local news outlet RBC shows that during the first quarter of 2018, researchers found Azino 777 adverts on 670 sites but during the same period in 2019, that had fallen to just 143. Additionally, the volume of ad impressions for Azino 777 in videos delivered via Yandex’s video service was 11 times smaller during the same period.

Russia’s Internet Video Association, which represents legal online video operators, has been filing complaints with telecoms watchdog Roscomnadzor against sites where Azino 777 ads can be viewed. Of around 500 complaints filed in 2019, around half – which include streaming sites and torrent indexes – have been blocked.

But despite the progress against Azino 777, the job still isn’t finished. The rise of 1XBET indicates there are still problems with gambling advertising connected with piracy.

“This indirectly indicates that piracy is still flourishing,” Maxim Ryabyko, director general of the Association for the Protection of Copyright on the Internet, told RBC.

According to Mediascope, in the first quarter of 2018, 1XBET ads appeared on 59 sites that were monitored. In the same period during 2019, that had risen to 447. In addition, advertising on Yandex video players grew 27 times over the volumes observed during the first three months of 2018.

During the past week alone, 1XBET-branded ‘cams’ have continued to hit the Internet. Among them copies of Ma, Rocketman, and Godzilla: King of the Monsters. 1XBET and/or its affiliates are clearly not yet done with their mission to grab the eyes and wallets of pirate consumers, in Russia and around the world.

Godzilla, 1XBET style….

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

Canadian Copyright Review Rejects Site-Blocking Regime, Keeps Safe Harbors

mardi 4 juin 2019 à 13:30

Late 2017 Canada’s government requested the Standing Committee on Industry, Science and Technology (INDU) to carry out a thorough review of the Copyright Act.

After dozens of hearings, where it heard hundreds of witnesses and reviewed input from various stakeholders, the final review is now ready and published in public.

In a detailed report spanning 182 pages, the Committee issues 36 recommendations, covering a wide range of copyright issues. Interestingly, the first suggestion from the Committee is to remove the mandatory five-year review, which it just completed.

Through various hearings and briefs, many rightsholders stressed that stronger copyright protections are required to deal with online piracy. This includes regular pirate sites but covers also copyright-infringing material uploaded to sites such as YouTube and Facebook.

Several stakeholders, including the Motion Picture Association-Canada, argued that ‘content filters’ would be appropriate. This is comparable to the requirement put forward in Article 17 of the EU Copyright Directive, which may result in ‘upload filters.’ 

Related proposals suggested narrowing the ‘safe harbor’ for online service providers (OSPs). This includes changes to sections 31.1 and 41.27 of the Copyright Act, including abolishing these altogether.

While the Committee acknowledged the “value gap” problem for rightsholders, it stresses that the rights of Internet users should be taken into account as well.

“[P]roposed amendments to sections 31.1 and 41.27 of the Act would be too blunt a solution to address the issue, especially since there is no consensus among stakeholders about which OSPs cause problems and why. Subjecting OSPs to increased regulations should also reflect a balanced approach,” the report reads.

The Committee finds it questionable, for example, that online services would be required to take down or de-monetize content, without allowing the uploader to respond to allegations of copyright infringement. That appears to refer, indirectly, to the EU’s Article 17. 

Instead of making any concrete suggestions, the Committee recommends keeping an eye on how the EU deals with this issue, and draw lessons from this approach. Ultimately, however, any changes should be in the best interests of all Canadians, which is summarized in two recommendations.

“Recommendation 21: That the Government of Canada monitor the implementation, in other jurisdictions, of extended collective licensing as well as legislation making safe harbour exceptions available to online service providers conditional to measures taken against copyright infringement on their platforms.”

“Recommendation 22 That the Government of Canada assert that the content management systems employed by online service providers subject to safe harbour exceptions must reflect the rights of rights-holders and users alike.”

Moving onto enforcement against traditional pirate sites, the Committee reviewed input from various stakeholders who suggested the introduction of a site-blocking regime. 

“The fight against piracy should focus more on large-scale, commercial infringers, and less on individual Canadians who may or may not understand that they are engaged in infringement,” the Committee notes, adding that it sees value in pirate site blocking. 

To this end, the Telecommunications Act could be revised to streamline the blocking process. However, creating a separate regime that would bypass the courts, as several rightsholders have suggested, goes too far.

“It is for the courts to adjudicate whether a given use constitutes copyright infringement and to issue orders in consequence. The courts already have the expertise necessary to protect the interests of all involved parties,” the Committee writes. 

Among other things, a separate regime without oversight would increase the risk of overreach, which could lead to net neutrality violations. The Committee, therefore, suggests that any changes that would simplify site-blocking should keep net neutrality in mind.

“Recommendation 27: Following the review of the Telecommunications Act, that the Government of Canada consider evaluating tools to provide injunctive relief in a court of law for deliberate online copyright infringement and that paramount importance be given to net neutrality in dealing with impacts on the form and function of Internet in the application of copyright law.”

That’s a major disappointment to the Fairplay Coalition, which came up with the site-blocking regime. However, rightsholders did succeed in convincing the Committee that higher statutory damages are needed to deter infringement.

Another piracy-related issue that came up relates to the notice-and-notice scheme. This allows rightsholders to send infringement notices to ISPs, which must be forwarded to subscribers. 

ISPs complained that this is very resource intensive, as there is no standard notice format. That also opens the door to abuse, where rightsholders demand settlements from subscribers, even though that’s outlawed. The Committee agrees and recommends standardization of the notices. 

“Recommendation 25: That the Government of Canada make regulations to require notices sent under the notice-and-notice regime be in a prescribed machine-readable format.”

The American Registry for Internet Numbers (ARIN) was also heard by the Committee.  The organization wants ISPs and other large companies to maintain a Whois database of IPv6 IP-addresses and numbers. This would help to track down copyright infringers.

Such a database is already in place for IPv4 numbers but the Committee recommends expanding this so it covers IPv6 resources as well.

“Recommendation 26: That the Government of Canada examine ways to keep IPv6 address ownership information up-to-date in a publicly accessible format similar in form and function to American Registry for Internet Numbers’ IPv4 ‘WHOIS’ service.”

The last issue we highlight is a proposed limitation to fair dealing for educational use. Several publishers requested this noting that they’re losing revenue, but the Committee believes that a further review is needed before it can make any concrete recommendations.

At the same time, the Committee proposes to expand current fair dealing rights by making the examples which are listed in the Copyright Act illustrative, instead of exhaustive. This would make it easier to classify new types of creative expressions as fair dealing.

All-in-all the review of the Copyright Act provides a mixed bag for all involved. While the recommendations are clear, it is still up to the Canadian government to act on them. 

University of Ottawa professor Michael Geist, who has followed the developments closely, describes the report as balanced. However, we expect that many rightsholders had hoped for more. 

The Committee makes it clear, however, that their conclusions represent a compromise. Not everyone will agree, but it’s what they have to work with going forward.

“Reviewing the Act is not about deciding who is right between stakeholders, but about capturing as many perspectives as possible to ensure that, on the whole, the resulting recommendations reflect the reality of living together,” the Committee writes.

“This report’s success lies in making stakeholders feel compelled to respond to it with passion, integrity, and rigour –whether or not they agree with its content,” it adds.

A copy of the Statutory Review of the Copyright Act is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.

YouTube Ordered to Hand Over Identities of Manga Pirates

lundi 3 juin 2019 à 20:52

Users of YouTube upload millions of pieces of content to the platform every month, much of it without incident or irritation to third-parties.

However, there are those who upload copyright content, most of it music and videos, that infringe on the rights of the original owners.

When that happens, copyright holders can file claims with YouTube to have the content removed, via the platform’s Content ID system or by filing a manual claim.

Users are generally aware that these complaints have the potential to lead to a ‘strike’ against their accounts but a publishing giant in Japan seems to want to take things much further.

Founded in 1922, Shogakukan Inc. is one of Japan’s largest publishers offering more than 60 magazines, 8,000 books, and 13,000 manga titles (comics/graphic novels), to name a few. It’s also part owner of Viz Media, the largest publisher of comic books and graphic novels in the United States.

Shogakukan’s manga publications are often pirated in digital formats (PDF documents, for example) but they also get uploaded to YouTube. These take the form of videos, often set to music, featuring static views of the pages of each title, timed for easy reading.

YouTube users who uploaded the company’s content in this fashion now need to look over their shoulders.

On May 24, lawyers acting for Shogakukan requested a DMCA subpoena at a California district court to help it identify several YouTube channel operators who allegedly uploaded images of the company’s content.

DMCA subpoenas are not reviewed by a judge and only require a signature from a court clerk. As a result, Shogakukan may shortly be in receipt of some very sensitive information, at least according to its letter to YouTube.

In addition to requiring YouTube to disable access to the infringing works as listed by the publisher, the Google-owned video platform must also hand over the personal details of several channel operators identified as LNDA, Kile Russo, Anime FightClub, and Optimistic Neko, among others.

The subpoena requires YouTube to hand over information it holds on the alleged infringers “from the time of user registration with any and all of the Infringer’s Accounts”, including names, addresses, telephone numbers, email addresses, IP address logs, account and credit card numbers and the names of financial institutions connected to them.

According to the subpoena, the information above shall be obtained “from any and all sources” including YouTube accounts, Google AdSense accounts, “or any other service accounts(s) registered with or linked to the infringer’s account” with YouTube.

Interestingly, however, the term “infringer” appears to apply to a broader range of YouTube users than just the handful of individuals listed in the subpoena.

The letter contains a list of Shogakukan works and then states that, in addition to the named channels/users, YouTube must hand over the details of “any other users registered with www.youtube.com who uploaded and/or posted any Infringing Work specified under the column entitled as “Infringing Work” in Exhibit A.”

Exhibit A (DMCA subpoena to YouTube)

Given the broad nature of the subpoena, it seems that YouTube is not only being asked to provide targeted information but is also required to work pro-actively by searching for the content in question and then handing over the personal details of anyone who may have uploaded it.

While the DMCA subpoena process may be quick, a judge’s experience might have proven valuable in this case, given its potential scope.

The subpoena and associated documents can be found here (1,2)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.